I have printed my plates and quite frankly, I am disappointed. Please ignore the awful design - it was an experiment!
- It's too monochromatic for the story.
- It is not suitable for fine detail or crisp letterforms
- It is very hit and miss with inking up and printing.
By the time I am ready to collograph, each folio will have been screen printed on two sides and could easily have undergone 8 screenings per folio on both sides. So to mess it up by getting a bit weary or inattentive during inking and burnishing is very real. My teacher agreed that it was risky to collograph after screening. I wondered about screening over the embossing.
See what I mean about the plate being more exciting! Being inked up often gives it patina as well. |
PVA dribbled over mount board in wavy lines |
Letters peeled away from mount board - no PVA |
Sandpaper cut out and glued on with gesso |
Masking tape stuck on mount board and letters cut away from masking tape The r has been PVA'd to add ink-resist |
Scrim glued on using gesso |
Carborundum glued on with gesso with spaces between |
Bits of torn overlapped masking tape |
Plastic parcel tape stuck on mount board and letters cut away from parcel tape No PVA to add ink-resist |
Soft hemp cord glued to mount board. |
As I said, I'd try to be transparent about what does and doesn't work for me.
Back to the drawing board!
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