H O M E W E B S I T E E M A I L
Showing posts with label Elva font. Show all posts
Showing posts with label Elva font. Show all posts

Monday, 20 August 2012

Rope of Words 11 - the text 4



My lower case is complete - Here is Elva...
and here is the text as a proper text block.


I feel that for poetry or prose that is written with musicality, a font that requires a little concentration is good. It helps you read slowly and enjoy the fine writing.
Elva's father said he thought I need to have a few more characters if I'm to name the font Elva, with umlauts


because after all, Elva is Swedish.
Cheeekeee!


Friday, 17 August 2012

Rope of Words 10 - the text 3

When you give your very first letter design to a typographer for them to turn into a font, it's a bit like leaving your child at nursery for the first time.
You are very precious about her and she is your most beautiful creation to date. You hope the typographer will adore her more than any of the other kids and understand her little quirks and make allowances or smooth them over - okay, okay this comparison could get more twee and much worse, but I did feel this way a bit.

Philip sent me a sample of the first few letters of the text with designated typewriter keys to test with my photographic screen printing and here are the results. The 72dpi does nothing for this, but they looked great!


So, this is screen printed and so I know that the weight of the letter is right and that the results are very good even at12pt. I'm delighted and I now just have to design the rest of the lower case alphabet and the spacing and take it from there. Philip is happy to take it in stages and nurture my font into being!
And I have decided to name the font Elva after my Swedish granddaughter.
Here it is so far:
whooo-ooo!

This is Elva's second claim to fame. An international tennis player has also been named after her - not before her! Andy's friends are teaching English in Thailand and there is a young Thai tennis player just moving onto the international circuit. She wanted a more pronounceable name which also had a bit of credibility (I mean, something too English or Sloany wouldn't do!) They suggested Elva and she loved it!


Thursday, 16 August 2012

Rope of Words 9 - the text 2

I began to design the text thinking I should do it the way I did the cartouches for my orchids. I found some nice Zerkall Wavy paper and a soft pencil and began drawing.
But I spoke to Philip and he explained that he would have to vectorise them as there would be complicated textured edges.

Okay, let me explain about VECTORS and BITMAPS
If you have a digital letter in, say Word, you can change the size or stretch it (and wreck the proportions) . But you can't add a flourish or change the shape of anything other than by stretching it. That is because it is a bitmap, so you can't edit it..
In Illustrator, you can vectorise it by selecting "change to curves" and you'll see the nodes on the letter. The more complex the outline, the more nodes there will be.You can work with the nodes to change the actual shape of the letter in any way you wish. I've vectorised a typewriter font T and a plain one to show you where the nodes are.

If I were to do a letter in calligraphy and scan it, it would be a bitmap. In order to create a font, letters have to be vectorised, so you would import the scan into Illustrator and trace the outline with the pen tool. Each time you click to change direction you add a node. There is also a facility to create curves using "handles"" on the nodes.
Instead of doing the letter in calligraphy first and tracing it, you can just draw it directly using the mouse. So I drew a b in Illustrator - a beautiful shaded b! At this stage I realised that if this b was really tiny it might look nice typed once it is a font, but I could never reproduce the shading in screen printing.
So now I am going to begin to design a font especially for Rope of Words, using Illustrator and the mouse and "pen tool" and see if it is viable.

Philip Kelly - www.pkfont.co.uk - is happy to space and kern letters if the client gives them to him already vectorised, as mine will be, or to vectorise them for the client. It suited me to draw them on the computer because I could get a better uniformity this way.
This is going to be a huge amount of work!