H O M E W E B S I T E E M A I L
Showing posts with label Oxford scribes. Show all posts
Showing posts with label Oxford scribes. Show all posts

Tuesday, 6 November 2012

Computer as a tool - Layout - 1b

This is part of an article I wrote for Oxford Scribes Newsletter earlier this year.  www.oxfordscribes.co.uk

Whenever I have to write anything in calligraphy I first type it out in the most similar looking font I can find and play around with the layout, the final overall shape, interlinear distance etc. I always begin on the computer, then write a little until I think my nib size is correct, then go back to the computer to see if it is going to fit on the format size.

If the piece is long, after planning it as a thumbnail,  I might lay it out on an A3 size on the computer and print it off in two halves.



In the piece "This your wedding Day" I had planned to do the final piece on a coloured background in Italic. the title was to be large and within the text body.So to get a feeling for how it would look and the final shape and texture, I laid it out in John Hardy, a cursive script and used Zapfino for the title.


In A is for Ox, I was going to stamp my metal letters into paper then roller over them in black, so I chose Humanist Lt. 19pt and worked out the design. (Needless to say this was after a few thumbnails and trial and error designs)     
It starts getting more interesting tomorrow!


Monday, 5 November 2012

The Computer as a tool - Layout - 1a

This is a series from some articles I wrote for Oxford Scribes Newsletter.
Oxford Scribes is a society that has been going for 28 years and of course in that time has had its ups and downs. In the last two years we have lost some of our founder members and last year Isabelle Spencer passed away leaving a gaping hole in the society.

We have soldiered on and in many ways caught up with technology, colour printing and the needs of the calligraphic community. Oxford Scribes is an exciting society to join with something for everyone. Helen Scholes is editor of the Oxford Scribes Newsletter and is has become a very desirable addition to calligraphy society magazines. Anyway here is my first article (in two instalments) for the first new edition earlier this year - I am now writing the third in the series...join Oxford Scribes and get it hot off the press!
www.oxfordscribes.co.uk/


If you have just been given a commission of too many certificates with too little time, the computer really comes into its own, even using just “Word”.
Ask the client for the names to be sent by e-mail in alphabetical order. This will save you sorting the certificates out later and they will be easier to check. If they don’t do this, put them into alphabetical order yourself using the sort button.

Quick Centering of Names
If you are using Uncials, use Times Roman or Verdana or if you are using Italic, print them out in Times Roman Italic. On the computer, space them with double interlinear spacing and centre them in a single column in the middle of the page.

I’m going to explain this using Uncials.Estimate which size nib will look right e.g. WmM#3.5 and write out the longest name. In this case it is “Patricia Vlietstra”. 
If it looks like a good size for the certificates, write out four more names, two long and two short ones.



 Measure each name and by trial and error (or using the rulers on Word) establish which pt. size in Verdana (27.5) or Times Roman (34.4) will work out at the same length as the names you did using your 3.5nib.

I chose these two fonts because they both bear a resembalnce to the spacing and letter shape of Uncials. If you were using Italic, you could try Time Roman Italic or Ccataneo.

Convert your “Microsoft Word” list of names to to Verdana 27.5. Ignore the “oversized letters” as we are working with length only, not height. Print it out and draw a vertical line through the centres of the names.Cut the list into a long narrow strip by cutting off the blank sides.

Rule up a template for your certificate, with lines on either side to align with your ruler for the names. Also draw a vertical line in the centre of the template to line up with the centre of the certificate and the printed list.

This will probably take an hour. Warm up on layout paper. From now on it should take 1-2 minutes per certificate. Fold your printed name strip beneath the first name and stick with removable sticky tape directly above where you are going to write, and begin. Refold for the second name. Keep writing!

In this article I am looking at using the computer at its most basic level. By following the method I use on certificates you can lay out a family tree, although you might need to do a paste up of digital names unless you have a graphic programme like Adobe Illustrator or CorelDraw. Just keep remembering that the printed letters look horribly large, and we are working with the length,not X-height. I try to use a font that suggests the finished piece to help me visualise it.

This blog address will soon change to www.limetreesstudio.com. I'll keep you posted.




Tuesday, 10 July 2012

A Grand Day Out

Oxford Scribes had their first Open Day - a new idea of "how to meet, socialise and get inspired".
The cartographer Alun Jones spoke in the morning, then there was cake, wine, bring 'n buy and after lunch Barbara Jupe showed us how to make dear little boxes. There was also a display of her miniature boxes with miniature books, with every last detail and tiny writing utterly perfect.


Her boxes are about 3-4cm in size, fully lined with matching lids and are made of mount board glued with Uhu, then covered in that lovely Japanese paper (origami sort) called Chiyogami, using diluted PVA glue.
She had made about 30 in advance so that we could each take one home!
I was lucky enough to get the demo. model as well. But then I really needed an extra one for my doll's house collection which my granddaughters play with.
Here is the Mouse's tea party.



Friday, 11 May 2012

The Queen's Speech


Yesterday was the Queen's Speech in the House of Lords.
I loved watching the pageantry on television and I thought the Queen looked beautiful in her regalia.
I had a phone call at about 5pm to ask if I would chat on Radio Oxford for a 5 minute slot about the goatskin vellum that she read her speech from. I suggested they ask Tim Noad but he wasn't available so I took it on. (Gulp!) So I await your comments about the accuracy of what I said.


I said that vellum really means the skin of a calf whereas parchment is a generic term for skin that is prepared for writing. Goatskin "Vellum" is difficult to write on and impossible to erase – chatted a bit about the preparation of the skin and went back to goatskin not being very pleasant to write on unlike calfskin because it remains a bit shiny and you can't raise the nap. Then he said he believed that the ink took 3 days to dry and I concurred, saying that it would take a long time. So far so good.
Last night after going on air, I saw the Queen holding the document and it dawned on me that it was probably printed (of course, not handwritten) on sheepskin parchment. The interviewer and I had not questioned the probability of printing. Can anyone inform me?
The interviewer asked about my position as Hon.President of Oxford Scribes" and this was a good slot to talk about Oxford Scribes and how we are open to all levels of calligraphy etc etc. and then he asked if we e-mail. "Oh no, of course not", I said, "we all write to each other in Gothic – on vellum!" 
As we do.
Some photos of my vellum samples from my notes after my visit to William Cowley a number of years ago.